A is for ancient American automobiles, atrophied architecture, and absent anchovies.
B is for broken and battered, but beautiful.
C is for cracked, crumbling, cockerels crowing in the city, chess in the shade of the colonnade, Chan Chan, and “Cigar-cigar — Cohiba, very good price no problem.”
D is for Daiquiri, dirt, dust and debris, but immaculately dressed school children.
E is for erosion, effulgence, erstwhile elegance, exhaust efflux, Eddie, Egrem, and (Saint) Ernesto (Che Guevara).
F is for fading façades, fabulous, fun, fast girls and friendly (sometimes a bit too friendly).
G is for gringo-savvy, gyrating gesticulations, and gold teeth.
H is for (Cuban) high heels, Hemingway haunts, “Hello my friend…” and hot hot hot.
I is for incredible, impossible, irresistible and indescribable.
J is for joyful, juicy, jalopy and jaded jalousies.
K is for kool, krazy and kooky.
L is for laughter, love, and life!
M is for make-do-and-mend, music, the Malecon, music on the Malecon, Mojitos, maracas, and MAD AS HELL.
N is for no holes bared.
O is for oblique, open doorways and Oye Como Va.
P is for peeling paintwork, palm trees, potholes in the pavements, and promenading on the Prado.
Q is for quixotic, quirky and (Cuban style) queuing (an amusing take on an informal gathering).
R is for Rumba, rum, rice and beans, roadside repairs, and Rumberos De Cuba.
S is for seductive, sexy, Salsa, and sunset on the seafront.
T is for tantalising, taped-up trombones and “Taxi amigo?”
U is for unusual, unique and unabashed.
V is for vultures circling over the city hospital, and hasta la Victoria.
W is for waves washing over the Malecon wall, white marble staircases (behind open doorways), and “Where are you from?”
X is for x-traordinary, and MaXimo.
Y is for Yosvani (there is only one).
Z is for zanily zany, zeal, and zealously zealous.

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